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Cosmic Tension

Video: [https://www.youtube.com/watch?v=uoJKE2i8IgM]

Apollodorus’ Bibliotheca Book 3, Chapter 5, Section 5.
It describes the myth of Amphion and Zethus, the twin sons of Zeus and Antiope, who are credited with building the walls of Thebes.

Διὸς καὶ Ἀντιόπης, ἐτείχισαν τὰς Θήβας. Εἶχε γὰρ Ἀμφίων λύραν, παρὰ Μουσῶν αὐτῷ δεδομένην, δι’ ἧς κατέθελγε καὶ τοὺς λίθους, ὥστε καὶπρὸς τὴν τειχοδομίαν αὐτομάτους ἐπέρχεσθαι. Τούτων μὲν οὖν

  • Διὸς καὶ Ἀντιόπης — "of Zeus and Antiope"
  • ἐτείχισαν τὰς Θήβας — "they built the walls of Thebes"
  • Ἀμφίων λύραν — "Amphion [had] a lyre"
  • παρὰ Μουσῶν — "from the Muses"
  • δι’ ἧς κατέθελγε καὶ τοὺς λίθους — "by which he charmed even the stones"
  • αὐτῷ δεδομένην — "given to him"
  • ὥστε καὶ πρὸς τὴν τειχοδομίαν αὐτομάτους ἐπέρχεσθαι — "so that they [the stones] came of their own accord to the building of the wall"
It's about the divine inspiration and musical power of Amphion, whose lyre music was so enchanting that it made inanimate stones move themselves into place, helping build the walls of Thebes without manual labor

Ἀμφίων - amphion - ancient rocker had a guitar given to him by the muses, through the means of this guitar he bamboozled stone. He caused the walled city to rise. A very famous guitar that brings to life the fortification and defense of the city.

"Rock" ancestry (haha)

Pherecydes in his 10th History

(102a4) Schol. Apollon. I, 741: Λύραν Φερεκύδης ἐν τῇ δεκάτῃ ἱστορίᾳ (Phav. ἱστοριῶν) δοθῆναι Ἀμφίονι φησὶ ὑπὸ Μουσῶν.

  • Φερεκύδης (Pherekydes) in his 10th (dekate) history (historia)
  • Ἀμφίων (Amphion): A mythological figure, twin of Zethus, famous for building the walls of Thebes with his lyre-playing.
  • δοθῆναι (dothēnai):  δίδωμι = “to be given.”
  • Λύρα (Lyra) - the lyre is the classical Greek stringed instrument often mythologically associated with the Muses and Apollo.
  • φησί (phēsi): "he says"
  • ὑπὸ Μουσῶν (hypo Mousōn): “by the Muses.”
"Pherecydes, in the tenth book of his Histories (according to Phavorinus' Histories), says that the lyre was given to Amphion by the Muses."

He said this specific guitar was given to Amphion by the muses

  • Luran Λύρα (Lyra) - the "guitar", lyre. Scholiast puts that word up front. Lyre. It's not linear writing... that mother greek.

Plato’s Phaedrus (Plato, Phaedrus 276e)

PLATO, Euthydemus. {0059.021}
διῄρηται τοῦ αὐτοῦ πέρι· ἡ γὰρ λυροποιικὴ καὶ ἡ κιθαριστικὴ
πολὺ διαφέρετον ἀλλήλοιν. οὐχ οὕτως; - Συνέφη. - Οὐδὲ
μὴν αὐλοποιικῆς γε δῆλον ὅτι δεόμεθα· καὶ γὰρ αὕτη ἑτέρα (5)
τοιαύτη. – Συνεδόκει. — Ἀλλὰ πρὸς θεῶν, ἔφην ἐγώ, εἰ τὴν
λογοποιικὴν τέχνην μάθοιμεν, ἆρά ἐστιν αὕτη ἣν ἔδει κεκτη-
μένους ἡμᾶς εὐδαίμονας εἶναι; – Οὐκ οἶμαι, ἔφη, ἐγώ, ὁ
Κλεινίας ὑπολαβών.
(d) Τίνι τεκμηρίῳ, ἦν δ' ἐγώ, χρῇ;
Ὁρῶ, ἔφη, τινὰς λογοποιούς, οἳ τοῖς ἰδίοις λόγοις, οἷς
αὐτοὶ ποιοῦσιν, οὐκ ἐπίστανται χρῆσθαι, ὥσπερ οἱ λυροποιοὶ
ταῖς λύραις, ἀλλὰ καὶ ἐνταῦθα ἄλλοι δυνατοὶ χρῆσθαι οἷς
ἐκεῖνοι ἠργάσαντο, οἱ λογοποιεῖν αὐτοὶ ἀδύνατοι· δῆλον οὖν (5)
ὅτι καὶ περὶ λόγους χωρὶς ἡ τοῦ ποιεῖν τέχνη καὶ ἡ τοῦ
χρῆσθαι.
  • Lura (λύραις) Poioi (ποιεῖν) - Plato is telling us certain people know how to make lyres, and some know how to play.
    • λύραις dative plural of λύρα, meaning "lyre."
    • ποιεῖν / ποιέω - to make, produce, compose
    • λογοποιεῖν = to compose speeches (logos + poiein)
    • λυροποιοὶ = lyre-makers (ποιέω = to make; λύρα = lyre)

Plato’s Phaedrus around section 250d

ἁπεκέκρισο; ἔτι δὲ καὶ δοκεῖ σοι αὐτὸ τὸ καλόν, ᾧ καὶ τᾶλλα Ῑτὰντα κοσμεῖται καὶ καλὰ φαίνεται, ἐπειδὰν Προσγένηται ἐκεῖνο τὸ εἶδος, τοῦτ’ εἶναι Παρθένος ἢ ἵππος ἢ λύραῧ

Translation: Does it still seem to you that beauty by which all things are made cosmetic κοσμεῖται (they fit perfectly into the arrangement of the cosmos) and beautiful. When this beauty bestows itself on the individual, do you really think that results in the virgin, the horse, and the lyre?

Do you really think that divine beauty, that makes everything so wonderful and right, do you really think that is embodied / becomes / manifested as a virgin, a horse, or as a guitar?

Is that what's going on, The instrument as reflection of that virgin?

Remember: Where are we getting these lyre players, what is some of the singing, we've been looking at oracles, they're training the priestesses from ages of 0-10, 10-20 they're singing. And there has to be accompaniment (why? because they understand the magic works from the music, even more important than the drugs). If your audience is not drugged, you're not performing the mystery.

Important: After you drug your audience, you have to then program them with the music. (it used to be the evangelicals would protest the concerts, and you could see that front line right there).

  • First entheogens (smoke, kykeon, etc.), then logos — either spoken or sung — reshaping the softened, opened mind.
  • concerts as a continuation of ancient cultural tension... modern concerts utilize the ancient mechanism: induce trance, encode meaning, and they see that in modern rituals (raves, rock concerts, etc.). The stage, light, music, and drug combination is as old as Dionysus

[289d] if you had replied as you now do, would you not have replied correctly? But do you still think that the absolute beautiful, by the addition of which all other things are adorned and made to appear beautiful, when its form is added to any of them - do you think that is a maiden or a mare or a lyre?"
nailed the translation...
  • absolute beauty (he called it divine beauty)

The art of translating this, is having been saturated and recognizing links.
If you love to make associations, drill that in... while you translate.

LYCURGUS

103. LYCURGUS Orat. Fragmenta {0034.002} (4 B.C.) Oration 15 fragment 11 line 2
(11) Schol. Plat. Reip. 421 a νευρορράφοι· νευρορρά-
φους εἶπε Λυκούργος τοὺς τὰ νεῦρα ῥάπτοντας ταῖς λύραις.

Who are those people that prep those guitars? They call them the ones who manipulate or string the neura (νεῦρα) for the lyre. Look at how the greeks are looking at this, looking at the person as someone who has gone through the process, has the techne (skill) to string the instrument, there aren't any other instruments. Bells, horns, drums, have fun, but nature is based on the stringed instrument. Shamanic drummers are great. But the organization of the cosmos / universe based on the tension of the string, the bow, and the lyre.

104. DICAEARCHUS Phil. Fragmenta {0066.001} (4 B.C.) Fragment 12e line 2 (12) Anecdota Graeca Oxoniensia ed. Cramer III (1836) 145: Δικαίαρχος δὲ ἁρμονίαν ὡρίσατο τὴν ψυχὴν εἶναι καὶ λύραν τὸ σῶμα. @1 (13a) Galen. Histor. philos. 105: Αριστοτέλης καὶ Δικαίαρχος τοὺς
This is going to blow your brains, put your chicken down....

...DICAEARCHUS divided things up. As the body is to the lyre, the soul is to harmony. The soul of your guitar is harmony. The great lyre player that saved the neura (νεῦρα) of god, this is the one who is married to harmonia. All in the line of bacchus. Because the union of this lyre player with harmony produces the virgin mother of bacchus.

That’s the Orphic mythos:
  • Orpheus is the lyre player.
  • He charms the underworld and orders the cosmos with his music.
  • His marriage to Harmonia (as concept and perhaps personified) is symbolic: music as divine union.
  • The “virgin mother of Bacchus” is a deeply Dionysian mystery image — in some versions of the myth, Dionysus is born from a divine virgin or from the body of Semele (consumed by Zeus’ fire), reborn through music, ritual, or madness.
The idea: music gives birth to divinity.

It's that seeded in the religion? In the cult? The music is that deep within the cult? Yes. What is it that Jesus is singing as he is going to the garden party with the boy? He's singing a hymn. Not the first hymn ever written... Jesus didn't compose it. Where did he get it? He wasn't the first Christ...

The body is to the guitar as the soul is to the harmony.

What's Ammon saying?

  • The body is like a lyre (λύρα), a physical instrument with strings (νεῦρα, nerves/sinews).
  • The soul is like harmonia, the tuning, the resonance — invisible, but it gives meaning and beauty to the body.
This metaphor was common in antiquity: the soul doesn’t just inhabit the body — it plays the body like a musician plays an instrument. If the body is out of tune, the soul cannot express itself clearly. This is why moderation, training, and ritual purification were so emphasized in ancient philosophy and mystery cult

“put your chicken down” because he's warning you that you're staring straight into the living interface between music, metaphysics, and religion.

It “blows your mind” because:

  • Music is not metaphorical here — it is ontological.
  • Harmony isn’t like the soul — it is the soul.
  • The lyre isn’t just an instrument — it’s a body.
  • When you sing with the lyre, you are enacting a cosmic truth: you are aligning soul and body

if you really see what Dicaearchus and the mysteries are saying, then:

  • Every instrument is a body.
  • Every song is a soul.
  • Every ritual with lyre or voice is a reenactment of cosmic tuning.
  • And when you sing, you’re not just making sound — you’re aligning with divine forces that shaped the universe.

That’s what the Eleusinian Mysteries, the Orphics, the Bacchic rites, and even the Gnostic Gospel traditions, understood: sound + form = transformation

Aristoxenus (Fragment 102)

125. ARISTOXENUS Mus. Fragmenta {0088.006} (4 B.C.) Fragment 102 line 3 mon: κίθαρις καὶ κιθάρα διαφέρει, φησὶν Ἀριστόξενος ἐν τῷ περὶ ὀργάνω κίθαρις γάρ ἐστιν ἡ λύρα, καὶ οἱ χρώμενοι αὐτῇ κιθαρισταί, οὓς ἡμεῖς λυ ρῳδούς φαμεν. κιθάρα δὲ ᾗ χρῆται ὁ κιθαρῳδός.

κιθάρις καὶ κιθάρα διαφέρει, φησὶν Ἀριστόξενος ἐν τῷ περὶ ὀργάνω·
*“Kitharis and kithara differ,” says Aristoxenus in On Instruments;

κίθαρις γάρ ἐστιν ἡ λύρα,
“for the kitharis is the lyre,”

καὶ οἱ χρώμενοι αὐτῇ κιθαρισταί, οὓς ἡμεῖς λυρῳδοὺς φαμεν.
“and those who use it are kitharists, whom we call lyre-singers.”

κιθάρα δὲ ᾗ χρῆται ὁ κιθαρῳδός.
“the kithara is what the kitharode (kithara-singer) uses.”

  • Kitharis: effectively = λύρα (lyre)
  • Kithara: the larger, more professional instrument used by trained performers (κιθαρῳδοί)
  • The performer types:
    • κιθαριστής: lyre player, instrumentalist
    • λυρῳδός / κιθαρῳδός: singer + player = bard/performer

Grammmarians figuring out the science of music with respect to the stringed instruments. Can you find any of these words in Hebrew, Oscan or Umbrian? No. Can you find any of these words in the language they're speaking in Asia Minor where paul is fighting with a group of Judeans. Judeans in Asia Minor!!!!!????? The words is a made up word that is introduced in Hellenistic Alexandria in order to create a past that doesn't exist before.

Verified with TLG. Which is useful also to help us uncover

  • a whole lot about Jesus
  • stuff going on with his boys
  • why one of them were naked
  • why there were drugs involved
  • why he's walking around with a title that's a drug title

a powerful hypothesis — that the entire mystery language around music, ritual, and divine communication through instruments is fundamentally Greek in origin. That these:
  • Technical terms,
  • Performer titles,
  • Instrument types,
  • and the cosmo-theological framework they’re embedded in…
…have no pre-Hellenic or non-Greek semantic origins. This is a powerful statement, because it:

  • Challenges back-dating of religious concepts into Hebrew or other regional traditions.
  • Suggests that the ritual technologies of lyre-magic, hymnody, initiation, and divine embodiment through music are products of Hellenistic invention, especially from Alexandrian synthesis.

And the further implication: if early Christian or mystery religion elements reuse these terms, they are drawing on Greek religious technology

Greek musical theory + sacred performance = the technology of divine embodiment.

And this technology was:

  • Codified in Alexandria
  • Used in mystery cults
  • Transmitted into early Christian liturgy

(8) Schol. Apoll. Rhod. I, 741: Διοσκορίδης δὲ ὑπὸ Ἀπόλλωνος (τὴν λύραν δοθῆναι Ἀμφίονι λέγει). @1

Dioscoredes Says that the lyre was given to amphion by Apollo, not the muses. Why would that matter? Hes the musagetes. He's the leader of the muses. It matters a lot. Anthropologically what the hell is going on? Why are these people debating about which divinity gave that particular instrument (that they will follow through time) to that kytherist, singer, lyre playing civilization builder. There is a sprit of harmony. It's the gift.

201. POSIDONIUS Phil. Fragmenta {1052.003} (2-1 B.C.) Volume-Jacoby#-F 2a,87,F fragment 116 line 129
(2) εἰσὶ δὲ παρ ̓ αὐτοῖς καὶ ποιηταὶ μελῶν, οὓς βάρδους ὀνομάζουσιν. οὗτοι
δὲ μετ' ὀργάνων ταῖς λύραις ὁμοίων ἄιδοντες οὓς μὲν ὑμνοῦσιν, οὓς δὲ βλασφημοῦσι. φιλόσοφοί τε τινές εἰσι καὶ θεολόγοι περιττῶς τιμώμενοι, οὓς δρουίδας ὀνομάζουσι.

Posidonius was smart, hard to keep up with
History here about the celts
He says they have makers of song, called bards
Who use instruments similar to our guitars
Both to sing hymns and to blaspheme (slander)

Any form of blaspheme coming out of our lyres (guitars) today?
Blasphemy as a genre...?

The last line
These people are philosophers and theologians
And they are highly honored
And they are called Druids

Who's preserving the knowledge in 200-100BCE, Alexandrians, the Celts! Druids.

These Scythians didn't just stop at the Black Sea, they moved west. That bow culture.

236. PHILO JUDAEUS Phil. Legum allegoriarum libri i-iii {0018.002} (1 B.C.-A.D. 1)
Book 1 section 14 line 4
ἄριστα τῶν στοιχείων καὶ πλείστην δύναμιν ἔχοντα ἑπτά ἐστιν ἀριθμῷ, τὰ φωνήεντα· κατά τε μουσικὴν ἡ ἑπτάχορδος λύρα πάντων σχεδὸν ὀργάνων ἀρίστη, διότι τὸ ἐναρμόνιον, ὃ δὴ τῶν μελῳδουμένων γενῶν

Educated in the Greek gymnasium, so He knows about things like the stringed instrument being the source of all that is physics. The 7stringed guitar, being the ariste (best). Due to its inharmonics. How much Hebrew is in this? Zero. You couldn't express this in ancient Hebrew.

248. PHILO JUDAEUS Phil. Περὶ ἀριθμῶν sive Αριθμητικά (fragmenta) {0018.038) (1 B.C.-A.D. 1) Fragment 72a line 1
μωτάτας τῶν τεχνῶν.
(72a) de opif. m. § 126: λύρα μὲν γὰρ ἡ ἑπτάχορδος ἀναλογοῦσα τῇ τῶν πλανήτων χορείᾳ τὰς ἐλλογίμους ἁρμονίας ἀποτελεῖ, σχεδόν τι τῆς κατὰ

The heptachord (7stringed lyre) is analogous to the choreia, the pathway (or chorus) of the wandering stars (planeton) and it completes this harmony. It brings it to perfection. That's what the heptachord does. Why would a 7string instrument bring that perfect harmony? Because it's an exact reflection of what you can look up at. This is nature. Paul's walking around saying "you're worshiping nature" (snarky voice).

τῆς δὲ λύρας εὑρετής έστιν
There is somebody who discovered the lyre.
The discoverer of the guitar is the divinity who translates the Hermes the explainer. Secretly, Hermes and Hecete produced Isis. The very mystery itself comes from the father who discovers the guitar.

If you thought religion was produced by drugged cave/shroom people, you're mistaken. The discovery of the music brings that power to the word. Kitheroads that build words. Where are the kitheroards that build words (worlds, or words??? Yes!!).

the secret of every lyre-bearing civilization.
That is what the Kitharodes do:
They sing the world into structure.

Do you understand why mothergreek did what she did with the music? Why this would come from nowhere else? It had to come from there the language that had that capacity, it was able to breach the invisible and the visible, to bring in those physics of the cosmos that ultimately produce the harmony. Hermes and Hecete, these people are nuts, these daimones ...

Hermes, Hecete, Isis. From one of the magical texts. Isis is she who ressurects. If you understand that, and also who mom and dad are, the music of translation making sweet love with the death and life giving blood of magic, produces she who is the savior. Virgin savior yes. Focus on the virgin. Why? Because someone put her up on the hill. Every day I look up there and remember she is the chief artist, when apollo strikes up the muses. It's the Virgin. Why is the Virgin so important?........

Let's bust some paradigms.
Who's that discoverer
It's Hermes
He's the one who gives those who are alive, and takes such joy...
What are the gifts this stringed instrument gives?
It gives them Symphonia and Homologia.

Θινῶν κερδῶν αἴτιος ὢν τοῖς ἀνθρώποις. τῆς δὲ λύρας εὑρετής ἐστιν οἷον τῆς συμφωνίας καὶ ὁμολογίας καθ’ ἣν οἱ ζῶντες εὐδαιμον- οῦσιν, ἡρμοσμένην ἔχειν τὴν διάθεσιν ἐπιβάλλοντος. παραστῆσαι
  • Symphonia - when our voice becomes one
  • Homologia - when our reason becomes one

Blaspheme: the USA doesn't have these because you have to respect the virgin who says "your greed stains the soul with the stench of ruin", have you noticed that just came out? You can see peoples morals now, you can see where they lie. They lie in buying and selling. You know what you are? You are the makers of music that is corrupt, because if you had the music that was from the god you would purify yourself but instead your greed stains

-- isn't it gorgeous? Do you hear the slander? That wasn't hymning that was blaspheming. Do you see why blasphemy is so important? You're not going to get Bacchus with blasphemy. When the devil told him about the contract, he said "are you joking"? For the blasphemy alone it's worth it. He's not going to do it for any ideals, saving human souls, helping humanity, he's doing it for the slander because it's so painfully accurate. Have to appreciate the artistry of the archerists. (Notetaker: is he talking about the Bow hunters???)

Bible

Acts 14:12
ἐκάλουν τε τὸν Βαρνάβαν Δία, τὸν δὲ Παῦλον Ἑρμῆν
ἐπειδὴ αὐτὸς ἦν ὁ ἡγούμενος τοῦ λόγου.

Paul journeys around Asia Minor, ends up in tough places, he goes to pirateville, the people there recognize the cult, they call barnabus who is traveling with paul, Paul's traveling with pubescent boys, they pick him up where the pirates are, the traffickers , they pick him up, what cult sects are here? Judean cult sects. Cultists. Because they are following the layout on the map of the lestai, the traffickers in humanity. It says in the Septuagint that Abraham is a pirate.

They're calling paul Hermes because he is the one

  • who leads the discussion
  • that explains the argument,
  • who carries the reason

Paul is acting as the hermetic translator.

For those of you who have read your Bible....

Letter of Aristeas

The Letter of Aristeas to Philocrates is a Hellenistic work of the 3rd or early 2nd century BC, considered by some Biblical scholars to be pseudepigraphical.%5B1%5D The letter is the earliest text to mention the Library of Alexandria.%5B2%5D

Beginning of the Letter of Aristeas to Philocrates. Biblioteca Apostolica Vaticana, 11th century.Josephus,%5B3%5D who paraphrases about two-fifths of the letter, ascribes it to Aristeas of Marmora and to have been written to a certain Philocrates. The letter describes the Greek translation of the Hebrew Bibleby seventy-two interpreters sent into Egypt from Jerusalem at the request of the librarian of Alexandria, resulting in the Septuagint translation.

Some scholars have since argued that it is fictitious.%5B4%5D

Wikipedia quote. The reason the way you think the way you do, and say things like "biblical history" or "Bible times", the reason you think that is because of this false letter. That they knew was false in antiquity, this is the letter that establishes the Septuagint is a translation. It was never questioned before. Someone came along in the 1st cent and created this letter to give it some substantiation to say this thing (Septuagint) is a translation of Hebrew.

You're going to see another language that paul encountered that they ran over in Asia Minor, it's a relative or Phrygian. The people speaking Greek squashed the people who don't. Making their language obsolete. As the language grows the education grows, and the building, the walls come up through the music. That famous guitar was said to be able to build a city. Specifically the walls the fortifications, defenses. That music is the defense. Do you understand why modern Monist hymns are the way they are? Singing is an extremely liberating process, if you don't want your people liberated you create a modern hymn... amazing this grace that pardoned a wretch like me, look at my wretched face". That's not a hymn. That's not a liberation, that is an enslavement. The hymning that takes place in churches is very much meant to reinforce the enslavement of the singers. They're not singing about reason much, are they? Why do Baptist church hymns never set you free? Why are they always shackling you? "How great though art to overcome the likes of me, the lord almighty?"

Letter of Aristeas
Describes a Greek translation of the Hebrew Bible

Imagine if someone writes an epic tome.
Then 200 years later, someone writes a letter that says this epic tome was a translation.
And everyone buys it!!!

That's because the predominant wave in the 1st, 2nd cent CE is towards this Christian acceptance.
Those Hebrew originals Which strangely don't exist.
This is why people were so excited to get the Dead Sea Scrolls. Because it had some Hebrew in it, it also had the Greek that they were trying to copy into Hebrew but didn't have enough words in the Hebrew to do successfully.

Some scholars have since argued that it is fictitious.

Ha!!! "Some scholars" not just modern scholars, they did the same thing in antiquity: they said "this thing is a lie" but remember it was the pagans that got silenced when the Christians found their "Orange Hitler" named Constantine. Are we just reliving? Yes. And you're doomed to. Because you don't study this stuff. Because if we had studied this stuff we wouldn't have let it lead up to this point. Now, we need to go deal with the office of White House propaganda. You thought Naziism was specific to only one time period? History repeats in cycles

What were those three ideal beauties?

  • the horse
  • the Virgin
  • the guitar

And that's harmony.
(notetaker: Sounds like an Amazonian: horse, virgin, bow)

Is it really true that that ideal beauty is that harmonic reality that we're just a dim reflection of?

In 2001, Bruce Metzger writes:

Most scholars who have analyzed the letter have concluded that the author cannot have been the man he represented himself to be but was a Jew who wrote a fictitious account in order to enhance the importance of the Hebrew Scriptures by suggesting that a pagan king had recognized their significance and therefore arranged for their translation into Greek.[17]

The story from the beginning was BS. Our timeline has accepted it as their reality because Christianity will fall. It's built upon it like a house of cards it'll come down. Those texts are not in Hebrew. They never were they never are they aren't now and they never will be. No matter how much you try to translate the Greek into any other language the problem is you're not dealing with something like English Italian or French. You're dealing with a language with 1.5M unique word forms. All the things you can do with just one verb, gymnastics. Metaphor, analogy, thesis, that's why all the words that we hold so important come from Greek. This is a technology for your brain.

Acts 14
'Εγένετο δὲ ἐν Ἰκονίῳ κατὰ τὸ αὐτὸ εἰσελθεῖν αὐτοὺς εἰς τὴν συναγωγὴν τῶν Ἰουδαίων καὶ λαλῆσαι οὕτως ὥστε πιστεῦσαι Ἰουδαίων τε καὶ Ἑλλήνων πολὺ πλῆθος. 2οἱ δὲ ἀπειθήσαντες Ἰουδαῖοι ἐπήγειραν καὶ ἐκάκωσαν τὰς ψυχὰς τῶν ἐθνῶν κατὰ τῶν ἀδελφῶν. 3ἱκανὸν μὲν οὖν χρόνον διέτριψαν παρρησιαζόμενοι ἐπὶ τῷ Κυρίῳ τῷ μαρτυροῦντι ἐπὶ τῷ λόγῳ τῆς χάριτος αὐτοῦ, διδόντι σημεῖα καὶ τέρατα γίνεσθαι διὰ τῶν χειρῶν αὐτῶν. “ἐσχίσθη δὲ τὸ πλῆθος τῆς πόλεως, καί οί μὲν ἦσαν σὺν τοῖς Ἰουδαίοις, οἱ δὲ σὺν τοῖς ἀποστόλοις. 5ὡς δὲ ἐγένετο ὁρμὴ τῶν ἐθνῶν τε καὶ Ἰουδαίων σὺν τοῖς ἄρχουσιν αὐτῶν ὑβρίσαι καί λιθοβολῆσαι αὐτούς, συνιδόντες κατέφυγον εἰς τὰς πόλεις τῆς Λυκαονίας Λύστραν καὶ Δέρβην καὶ τὴν περίχωρον· κἀκεῖ εὐαγγελιζόμενοι ἦσαν.

Where were we? With the horse and the virgin... and now we're at acts 14 again. Something odd. Doesn't make any sense. Paul's going to the synagogues of the Judeans. How far back in Greek does the word Udios go? People will say they're in the fragments that go back to the 6th BC (nope!) those fragments are later creations, quotations, far after the 6th. The oldest genuine recording of it, you won't find prehellenistic. This is a Hellenistic creation, as an ethnic group. what you have in Asia Minor are people practicing the ways of Abraham the pirate. That is the religion. The guarantee. The land grant.

So Paul is up there
Before he picks up the kid
Philemon was another too
He comes to the synagogue of the Judeans. That's not a geographical reference to the land of the Judeans. So that many of the Judeans and the Greaks,
Those who speak Greek and those who are Udioi.
Zeroing in on it
They have their gatherings their synagogues, which is a Greek term, the Judeans got worked up and it's coming to a loggerheads, their practices are not able to mesh.
Whats happening???
Polytheist society is really old. Predate anything monotheistic always. So they are absorbing.
Out here in the land of the pirates, it's a different story. They are having arguments that are causing them to come to conflict with each other and paul gets in the middle of it. That is the background for people stepping forward and saying one of you is Zeus and one of you is Hermes. Do you see after all of that it comes down to people being able to associate the activities within the mystery. This is not anything strange. The Septuagint is built upon this model of Zeus and Hermes as the conveyors of that self knowledge. What do they do? They enter a place like sodom and Gomorrah in order to test it , to try it, the word peirates for pirate is the word for the testing. Hesychius shows us that.

Do you see how you've been following a fairy tale? Your understanding of history has been a fairy tale understanding.

Paul's navigating through nations of soul traders.

8 Καί τις ἀνὴρ ἀδύνατος ἐν Λύστροις τοῖς ποσὶν ἐκάθητο, χωλὸς ἐκ κοιλίας μητρὸς αὐτοῦ ὃς οὐδέποτε περιεπάτησεν. 9 οὗτος ἤκουεν τοῦ Παύλου λαλοῦντος· ὃς ἀτενίσας αὐτῷ καὶ ἰδὼν ὅτι ἔχει πίστιν τοῦ σωθῆναι, 10 εἶπεν μεγάλῃ φωνῇ Ἀνάστηθι ἐπὶ τοὺς πόδας σου ὀρθός. καὶ ἥλατο καὶ περιεπάτει. 11 οἵ τε ὄχλοι ἰδόντες ὃ ἐποίησεν Παῦλος ἐπῆραν τὴν φωνὴν αὐτῶν Λυκαονιστὶ λέγοντες Οἱ θεοὶ ὁμοιωθέντες ἀνθρώποις κατέβησαν πρὸς ἡμᾶς, 12 ἐκάλουν τε τὸν Βαρνάβαν Δία, τὸν δὲ Παῦλον Ἑρμῆν, ἐπειδὴ αὐτὸς ἦν ὁ ἡγούμενος τοῦ λόγου. 13 ὅ τε ἱερεὺς τοῦ Διὸς τοῦ ὄντος πρὸ τῆς πόλεως, ταύρους καὶ

Paul is wrapped up in this battle for cult predominance in a region that is being flooded by this salicion from the south, piracy influences, black market in human souls. There's a dude who can't use his feet fever since he came from his mother, And he never walked around. This guy heard paul talking, and paul seeing him, his faith, this is the faith that leads to salvation and paul says in a great voice, anastethe, stand upright on those feet. Orthos. In a straight way. He stands up and walks off. The crowd starts to speak. What are they speaking? Lucahonesty. Lucaonian. When we say Hebrew was a language that got eaten by Greek, this is an example, a recorded example of another language (besides Hebrew) that got crushed by mother Greek. And these people have synagogues, and we call them Judeans.

Heyschius

*
σχετλιαστικὸν ἐπίῤῥημα r. ASvg, ὡς τὸ [φεῦ r. s, καὶ τὸ παπαί

*<Ιουβάλ>
κύριον ὄνομα τοῦ καταδείξαντος κιθάραν (Gen. 4,21) r. AS

Word play. Notice the 2nd word is in genesis.

  • Ιουβάλ - name of the one who discovers and then teaches, you become so good at your art that you become the teacher, the maistro.

The one who learns teaches and masters the kythera, guitara.... who did the writers of the Septuagint model their genealogy on? They modeled it on the lyric poets of Greece. The Bible that people read about modes and Abraham was modeled on Greek thought. Its language is fundamentally Greek and not Hebrew.

Reference from Genesis

καὶ ἔτεκεν ̓Αδὰ τὸν Ἰωβήλ· οὗτος ἦν πατὴρ οἰκούντων ἐν σκηναῖς κτηνοτρόφων. 21 καὶ ὄνομα τῷ ἀδελφῷ αὐτοῦ Ἰουβάλ· οὗτος ἦν ὁ καταδείξας ψαλτήριον καὶ κιθάραν. 22 Σελλὰ δὲ καὶ αὐτὴ ἔτεκε τὸν Θόβελ, καὶ ἦν σφυροκόπος χαλκεύς
Look at
  • Ἰωβήλ
  • Ἰουβάλ

the one who teaches those instruments to the people.

<Ιούδας>
ἐξομολόγησις θεοῦ

Judas? Judah... where's that road coming from? It's the ἐξομολόγησις θεοῦ. Of the divinity. It's the thing coming out that makes your reason one. The emanation that is divine that makes you homologous.

People will say this is a word from Hebrew, because some fool falsified a document in antiquity, and started a lie that was perpetuated by fellow monists who wore different uniforms and did different things but they were still monists. So they perpetuated this lie to establish their own legitimacy. Everything some people hold sacred is a lie.

LSJ:

περα_τ-ής , οῦ, (περάω Α) A.= πορθμεύς, Suid. s. h. v., Procl.Par.Ptol. 250.

Heyschius

<Εβερ>
Ἑβραῖος. καὶ ὁ [Ἑβραῖος] περάτης (Gen. 10,24)

What is the porthmeus? The undertaking that is the testing of your life is done by the porthmeus. That is the trafficker in human souls. What does this say? Heber, hebraios. Perates - wanderers who Test limits of boundaries. Perates == peirates == Pirates. It's why Abraham is called a perate in the Bible, because he is a trader in human souls. Reality.

When you understand the Hebrew of the Bible is a forgery and the original is this wonderfully rich Greek text. All history is off.

What is that porthmeus?

πορθμ-εύς , έως, Ion. ῆος
A.ferryman, Od.20.187Aeschin.3.158, SIG633.104(Milet., ii B.C.), BGU1188.11 (i B.C.), etc.; πνεκύων, of Charon, E.Alc.253(lyr.), cf. Call.Fr.440. 
2. generally, boatman, seaman, esp. as one of the crew of a passenger-ship, Hdt. 1.24Ar.Ec.1086Theoc.1.57
3. metaph., conveyer, 'purveyor', “τῶν καθ᾽ ἡμέρανλεγομένων”  Lib.Or.18.15.

That's the ferryman. The one who purveys. Carries human soulery

<πείρατα>
πέρατα. τέλος

<πειραταί>
κακούργοι, λῃσταί. θηρευταὶ ἐν ὕδασι

<πειρᾶται>
πεῖραν λαμβάνει, πειράζει. ἐπὶ δὲ λῃστῶν, πειρατεύεται

Perate peirate peiratai
Kakourgoi- those who do bad things.
The lestai. The traffickers.
They sell their wares that they gather in udasi - on the waters

Who are these people trafficking in human souls.

Raptw

ῥάπτω , Od.16.422, etc.: fut. ῥάψω (ἀπορ-Aeschin.2.21: aor. 1 
A.“ἔρραψα”  Hdt.9.17E.Andr.911; Ep. “ῥάψα”  Il.12.296: aor. 2 ἔρρα^φον (συν-Nonn.D.7.152: plpf. ἐρραφήκει (συν-X.Eph.1.9:—Med., aor. “ἐρραψάμην”  Ar.Eq.784, etc.:—Pass., fut. ῥα^φήσομαι (συν-) Androm. ap.  Gal.13.685: aor. ἐρράφην%5Bα^D.54.41, v. infr.: pf. “ἔρραμμαι”  Ar.Ec. 24D.54.35: poet. plpf. ἔραπτο (συν-Q.S.9.359:—sew together, stitch, “βοείας” Il.12.296: abs., Ar.Pl.513:—Med., ῥαψάμενον δερμάτων ὀχετόνhaving made himself a pipe of leather, Hdt.3.9ῥαψάμενός σοιτουτί (sc. τὸ προσκεφάλαιον) having got it stitched or made, Ar.Eq. 784; also, sew on or to one, Id.Nu.538:—Pass., ἐρράφθαιτὸ χεῖλος to have one's lip sewed up, D.54.35, cf. 41; ἔχεινπώγωνας ἐρραμμένους to have beards sewed on, Ar.Ec.24ἐνμηρῷ ποτ᾽ ἐρράφθαι Διός was sewn up in . ., E.Ba.243ἐρραμμένα stitched work, a cushion or pad, Alex.98.11; “χρὴ τὸἔποχον τοιοῦτον ἐρράφθαι ὡς . . ”  X.Eq.12.9
II. metaph. c. dat., devise, contrive, plot, σφιν κακὰ Od.3.118, cf. Il. 18.367φόνονθάνατόν τε μόρον τε ., Od.16.379,422; “ῥάψαι μόρον σοι”  E.IT681; also ἐπ᾽Ἕλλησι φόνον Hdt.9.17; “εἴς τινα”  E.Andr. 911ἐπιβουλὰς τινί, Lat. suere dolos, Alex.98.2: prov., τοῦτοτὸ ὑπόδημα ἔρραψας μὲν σύὑπεδήσατο δὲ Ἀρισταγόρηςyou sewed the shoe but A. put it on, Hdt.6.1
2. generally, string or link together, unite, “ἀοιδήν”  Hes.Fr.265. 
3. ῥάψαντα διὰ βίου τοῖς αὐτοκράτορσι, perh. f.l. in JHS42.168 (iii A.D.). 
4. ῥάπτουσα, name of a plaster, Cels.5.19.6, 5.26.23.

It's done for the sake of profit, your religion is based on profit and when your government becomes based in profit it becomes just as corrupt as your Monism. And your morals will allow you to murder.

Metaphor for a raptw. What does the person do who sets up the strings on the guitar. They are the contrivers. They're the ones who link together. Like the inventor of the guitar. That act of creating the string is the act of the creator. This music that we have with our instruments mimics a reality that is gorgeous.

Theologos

θεόλογ-ος , , (λέγω
A.one who discourses of the gods, of poets such as Hesiod and Orpheus, Arist.Metaph.1000a9, S.E.M.2.31; of cosmologists (like the Orphics), Arist.Metaph.1071b27, al., Cic.ND3.21.53; “θεολόγοι καὶ ποιηταί”  Phld.Piet.48; of diviners and prophets, “θκαὶ μάντιες”  Philol.14; οἱ Δελφῶν θ. Plu.2.417f, cf. Luc.Alex.19, BMus.Inscr.4.481.295 (Ephesus, ii A.D.), IGRom.4.1431(Smyrna): fem., CIG 3199,3200 (ibid.). 
2. theologian:  θ.,= Moses, Ph.2.152, 416.

What were those druids? The Celtics priests.
They were theologians.
What are theologians? One who discourses of the gods.
What are paul and barnabus doing that gets them painted as Zeus and Hermes. They're creating discourses of the gods. This is something that poets like Hesiod have been doing forever. Particularly when it comes to the Orphic cosmologies. This is the model for what people are thinking when they walk around and do what they're doing.

These Druids. Diviners and prophets. 5th line down diviners and prophets. What are those theologians? Mantic prophets. Kai manties.

The mantic prophet is the Druid is the theologian is Moses

This will block and destroy that timeline, this information has the capacity to block the false timeline started by aresteus, whoever started that. Has the potential to cure and reset the system, imagine a world where you can explain to Christian's the reality that is the fallacy that they believe. Their reason although suppressed is still their greatest strength. And all we have to do is ressurect her.

βλασφημ-έω , pf. 
A.“βεβλασφήμηκα”  D.18.10:—speak profanely of sacred things, “εἰς θεούς”  Pl.R.381e; offer rash prayers, Id.Alc.2.149c; βκατάτινος utter imprecations against, Aeschin.1.180
2. speak ill or to the prejudice of one, slander, “περὶ τῆς ἐμῆςδιατριβῆς”  Isoc.15.2, cf. D.l.c., ib.82; “βκατά τινος” Isoc.12.65, cf. Arist.Fr.44; “ὅσα εἰς ἡμᾶς ἐβλασφήμησαν” D.51.3; “βτινά”  Babr.71.6, Ev.Luc.23.39, etc.: abs., Phld.Lib.p.8 O.:—Pass., to have evil spoken of one, “βεβλασφημημένους”  Id.Vit.p.12 J., cf. 1 Ep.Cor.10.30
3. speak impiously or irreverently of God, blaspheme, “εἰς τὸνΚύριον”  LXX Da.3.29(96); “εἰς τὸ πνεῦμα τὸ ἅγιον” Ev.Marc.3.29εἰς τὰ θεῖα Vett. Val.58.12; “τοὺς θεούς” Id.67.20: abs., LXX 2 Ma.10.34, al., Ev.Matt.9.3.

Blasphemy. What have we come here to do? We have come here to blaspheme. What are you doing? You're speaking ill or to the prejudice. You are slandering. I am speaking evil about you. When I stand in front of you with my guitar and I let that lightning flow through it. I take on that dythyrambic insult to purify you. The blasphemy is for those who are currently blinded by the faith.

The only way to rescue them is to blaspheme. Your sisters and brothers blinded by the faith. The only way to rescue your neighbors and your coworkers. Is to blaspheme.